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Misunderstanding arguments. Dispute (conflict) between generations - ready-made arguments and theses

The problem of relationships between generations is considered one of the eternal issues of morality. Time accelerates, but people cannot keep up with it. Social institutions, codes, norms preserve the traditions of the past. The trends of today, not to mention the future, turn into a storm in the musty crypt of the past.

In this article we will try to highlight not only the relationship between generations, but also the elaboration of this issue in the works of Russian writers.

The essence and origins of the problem

Today, in our fast-paced world, in the conditions of total intergenerational relationships, it becomes noticeably acute. It seems that children move away from their parents not by one, but by several steps at once.

The peculiarity of the struggle between the new and the old is that the former does not always emerge victorious. Adults have more leverage, confidence in their unshakable rightness, and the need to be an authority and leader for the child.

Next, we will look at this problem from the point of view of psychological scientists, and also find out how writers in the nineteenth and twentieth centuries saw it. The material will be especially interesting for schoolchildren who are preparing for exams. Often one of the topics is the following: “Problems of relationships between generations.” You can easily write an essay on this task after reading this article.

Today, the emphasis has shifted from the experience of older generations to the achievements of peers. The child receives almost all knowledge from his parents in an “outdated” form. These days, the lifespan of an innovation sometimes varies within a few days or hours.

IN adolescence boys and girls are forced to go through a kind of initiation stage. They need to learn to control their emotions, become reasonable and wise. This is called "growing up." The difficulty is that with the acceleration of the pace of life, parents themselves have often not yet fully formed into a holistic, mature personality. Or their image is only suitable for the heroes of a nineteenth-century novel.

The problem is that often parents cannot even tell their offspring what to do correctly in a given situation. After all, they never spent their youth in the conditions of the present time. What was previously considered revolutionary, today young people attribute to the Stone Age.

Let's look at the issue of disagreements between parents and children. How do psychologists and writers see it?

What psychologists say

If the task concerns the problem of relationships between generations, the essay can begin with the opinion of experts on this topic.

Now we will talk about some studies conducted by scientists to study the psychology of the adult generation. They believe that the main problem lies in the inability of elders to understand their failure in matters of education.

It turns out that complacency and the belief that past life experiences are the standard by which a child’s “correctness” should be measured serves as the foundation for discord. It turns out that adults speak one language, and children speak a completely different one.

Moreover, from the point of view of psychologists, the problem of intergenerational relationships often comes from the parents. The most common complaint from children is: “They don’t want to hear me.”

Experiments were conducted to confirm this hypothesis. We will provide a description and results of one of them.

The school asked tenth grade students to rate themselves on a five-point scale. It was necessary to measure internal qualities, such as kindness, sociability, initiative and others. The second task was to determine how their parents would evaluate these same qualities. Older generation asked to rate their children and then predict their self-esteem.

As a result, it turned out that children understand exactly what their parents think about them, and fathers and mothers, in turn, know absolutely nothing about their offspring.
Other studies have proven, in addition to this point, a number of difficulties in relationships between children and adults. Thus, it was found that the child is more frank with his mother than with his father. The second unpleasant point is that many things that interest a teenager are not usually discussed in our society.

Themes of feelings, openness, and sexuality create an insurmountable barrier between generations in the family. This turn of events leads to formal communication and routinization of relationships.

Turgenev, "Fathers and Sons"

According to many critics, the problem of relationships between generations is most fully illuminated in the novel “Fathers and Sons.” In principle, the greatest attention is paid to it here, but you will soon see that there are other works that touch on this issue.

Ivan Sergeevich in his novel shows not just the confrontation between father and son in a single family. This depicts the problem of relationships between generations, since Kirsanov and Bazarov are not relatives.

The first is young, nihilist, democrat and revolutionary. Pavel Petrovich is shown to be a monarchist and an aristocrat to the core. The clash of their worldviews forms the basis of the plot.

We see that Evgeny Bazarov is inclined to deny everything, putting science above all other values. The image of the landscape of Switzerland, for example, is interesting to him only from a geological point of view. He is pragmatic, trying to prove the advantage of new views. However, in the end, Evgeniy dies with the thought that Russia did not accept him.

Bazarov's antagonist is Kirsanov. He loves to talk about the “Russian idea”, the simplicity of peasant life. But in reality, all his words turn out to be an illusion. He is inclined to only talk about it, but by his actions he shows the opposite.

Like many other writers of the nineteenth century, Ivan Sergeevich Turgenev finds himself on the side of the younger generation. Through the prism of the novel, he shows the agony of the old worldview and the birth in the throes of a new philosophy of society.

Tolstoy, "War and Peace"

Next, we will consider the problem of relationships between generations in the novel “War and Peace”. Here Tolstoy, being a keen expert on human souls and motives of behavior, shows three different families. They have different social status, values ​​and traditions. Using the example of the Bolkonskys, Kuragins and Rostovs, we see almost the entire palette of Russian townspeople of the nineteenth century.

However, the novel shows not only the relationships between different generations, but also the tensions between different layers of society. Bolkonsky, for example, raises children as part of serving the Fatherland. He places honor and benefit for other people above all else. This is how Andrei and Maria grow up. However, the old prince often went too far in his upbringing, which he laments on his deathbed.

Kuragins are shown as the complete opposite of Bolkonsky. These are careerists who put social position above all else. Their example illustrates the cold attitude of parents towards children. The lack of sensuality and trust becomes natural for Helen and Anatole.

In fact, Tolstoy shows with the help of empty people who are only interested in material values and external shine.

The Rostovs are the complete opposite. The parents are shown here fully supporting Nikolai and Natasha. Children can always turn to them for help when they need it. This family is completely different from the aristocratic Bolkonskys and the careerists Kuragins.

Thus, in the first two works we mentioned, the problem of relationships between generations is most fully revealed. It would be best to write an essay (Unified State Exam) based on these novels.

Paustovsky, “Telegram”

When discussing the problem of relationships between generations, arguments from real life will be the best. The story will touch the most painful strings of the human soul. It highlights the situation when children forget their parents.

This is the second extreme to which a family can go. Often the reason is not so much as harmful moments of social influence.

Sometimes teenagers, unprepared for the aggression of the real world, find themselves caught in a whirlpool of other people's goals. They live by other people's ideals and lose themselves. If parents have failed since childhood to accustom their child to the fact that he will be accepted at home in any condition, then the young man will distance himself.

Thus, we are faced with a multifaceted problem of intergenerational relationships. Arguments in favor of proper education and others can be made, but it is better to show the terrible consequences of the deepening abyss.

It is precisely such examples that we see in the works of many writers. In Telegram, in particular, the daughter was late. When the girl came to her senses and came to visit her mother in the village, she found only a grave mound and a simple tombstone.

Paustovsky shows that pride, hidden anger and other barriers that prevent warm relations between relatives always lead to the tragedy of the “offended”. That's why the best way To solve the problem of relationships between generations there will be forgiveness and a sincere desire to understand the interlocutor.

Gogol, Taras Bulba

The problem of relationships between generations in Russian literature also arises quite acutely in Gogol’s work. He addresses the unexpected and terrible side of the realization of this moment.

The story illustrates the father's murder of his child for the sake of his own sense of honor and pride. Taras Bulba could not forgive and survive the betrayal of ideals on the part of Andrei. He takes revenge on him for the fact that the young man did not grow up to be the person he was raised to be.

On the other hand, he punishes the Poles for death youngest son- Ostap.

Thus, in this work we see the bitter truth of reality. Fathers rarely strive to understand their children. They just want to realize their concept of an “ideal life” in them.

That is why it is eternal problem relationships between generations. You will find the arguments of Russian writers in favor of the impossibility of solving it in our article. Next we will look at different areas of this issue.

But after reading most of the works and studies, the impression remains that along with age, the ideals of house-building awaken at the genetic level in people.

"Eldest Son" - play and film

We are currently discussing the problem of relationships between generations (the Unified State Exam often includes it in the list of tasks). Let's look at Vampilov's comedy "The Eldest Son". It was written in the late sixties of the twentieth century.

The significance of the work is that several generations are intertwined here. We see relationships between three: fathers, adults and younger children.

The essence of the comedy lies in an innocent joke that develops into a significant stage in the life of an entire family. Two friends (Busygin and Silva) stay late in a strange city and are late for transport. They are looking for a place to stay for the night.

In the city they meet Sarafanov's family. Silva tells their new acquaintance that Busygin is his son. The man takes the message at face value because he “had a sin of his youth.”

The essence of the work is that Busygin has to become a link between his father and children, who do not value their parent at all.

We see the already quite mature “youngest” Vasenka, who burns Natalya’s house out of jealousy. Nina, Busygin's sworn sister, wants to run away with her fiancé to the Far East, but her new brother is holding her back.

Obeying an impulse of feelings, the deceiver confesses everything. Everything in the story ends well. But the main emphasis is still set. The situation is created in a comic form for easy perception and a comfortable introduction of the “family friend” into the comedy.

It is through the prism of an outsider’s view of the family that the problem of intergenerational relationships is revealed. Vampilov’s work is fundamentally different from similar works of the nineteenth and eighteenth centuries. It is here that we see the picture that exists in our time.

The traditions of home building have actually become obsolete, but the gentleness and thoughtless love of many parents plays a cruel joke on them when their children grow up.

Griboedov and Fonvizin

The problem of relationships between generations in “Woe from Wit” is revealed through the example of Famusov and Chatsky. Let's take a closer look at these symbolic images.

The old generation is characterized by worship of rank, wealth and position in society. It is afraid, does not understand and hates new trends. Famusov was stuck in the petty-bourgeois worldview of the last century. His only desire is to find a son-in-law for his daughter with ranks and stars on his chest.

Chatsky is the complete opposite of Pavel Afanasyevich. He not only verbally denounces the Domostroevsky foundations of the past, but with all his behavior he shows the depravity of the old and the power of the new worldview.

Molchalin is Chatsky’s peer, but contrasts with him in thoughts, goals and behavior. He is pragmatic, two-faced and hypocritical. Above all for him is a warm and financial place. That is why the young man pleases Famusov in everything, is quiet and modest with Sophia.

Chatsky has drama in his personal life. The girl he loves calls him crazy and pushes him away, preferring a “servant with rank.” But, despite this, the outcome of the comedy is shown openly to readers. It is the “carbonaris” and rebels who will replace the traditional servility and mossy behavior of the old nobles.

“Nedorosl” also highlights the problem of intergenerational relationships. The essay is a stunning decoding of the saying: “The apple doesn’t fall far from the tree.” Here we see a separate aspect of the relationship between parents and children. Education, which is not intended to help the child find himself in life and realize himself, but to reflect the mother’s outdated picture of the world.

So, in the comedy “The Minor” we see the result that Mrs. Prostakova received. She did her best to protect the child from the “hateful” world and a corrupt society. Teachers were hired for him only because Peter the Great “bequeathed it so.” And Mitrofanushka’s teachers were not distinguished by their learning.

The comedy is written in the vein of classicism, so all the names in it speak. Teachers Tsifirkin, Kuteikin, Vralman. Son Mitrofan, which in Greek means “resembling a mother,” and Prostakova herself.

We see the disappointing results of blindly following dead dogmas without the slightest attempt to comprehend them.

Starodum, Pravdin and some other characters oppose the old traditions. They reflect the desire of the new society to see a soul in a person, and not an empty gilded shell.

As a result of the conflict, we get a completely merciless, greedy and stupid “undergrowth.” “I don’t want to study, but I want to get married,” this is the most accurate reflection of his essence.

Coverage of the problem in the works of Pushkin

One of the eternal moral issues is the problem of relationships between generations. Arguments from the life of modern society rarely fully correspond to literary images. The closest situation is mentioned in "The Eldest Son", which we talked about earlier.

The works of the classics of the nineteenth century are often useful to young people only in a global sense. The general ethical and moral themes raised in them will be relevant for centuries to come.

Problems of relationships between generations are highlighted many times in Pushkin’s works. Examples include the following: “The Captain’s Daughter”, “The Station Agent”, “Boris Godunov”, “The Stingy Knight” and some others.

Alexander Sergeevich, most likely, did not set himself the goal of reflecting precisely this conflict, like Tolstoy and Turgenev. The clash of generations has been a part of everyday life since the times of primitive people. It’s just that over time the gap between parents and children becomes wider. This is influenced by progress, changes in social values, globalization and many other factors.

In particular, in “The Station Agent” the situation is similar to the one that Paustovsky later illuminated (we talked about this above). Here Samson's daughter Vyrina escapes from her father's house with a hussar. She finds herself in city society and becomes a rich and respectable lady.

When her father finds her, he doesn't recognize her and doesn't want to accept her. new image daughters. Samson returns to the station, where he becomes an alcoholic and dies. Here the conflict is formed due to the different meanings that the characters attach to the concept of “happiness”.

In "The Captain's Daughter" we see a completely different picture. Here Pyotr Grinev firmly remembered the traditional teachings of his father. Following these rules helped him save face and honor in difficult situations.

The old baron in The Miserly Knight loses his own son because he is committed to the old bourgeois principles. He does not want to change his ossified worldview, feudal views. In this essay we see too great a gap between father and son. As a result, the final severance of ties occurs.

Ostrovsky, "The Thunderstorm"

As you have already seen, if the essay should touch on the problem of relationships between generations, arguments (literary, life and others) can easily help to do this.

To conclude our article, we will give one more example, which perfectly corresponds to the task at hand. Now we will talk about Ostrovsky’s drama “The Thunderstorm”.

This stunning work very clearly shows the clash between the old Domostroevsky and Of all the characters, only the main character, Katerina, decides to resist the ossified tyranny of her elders.

There is a saying that Russia is a country of facades. It is in this play that this phrase is deciphered in frightening nakedness. Behind the apparent prosperity and piety of an ordinary Volga town, we discover the true evil hidden in the souls of people.

The problem is not only the cruelty, stupidity and hypocrisy of the older generation. Kabanikha and Wild tyrannize young people only when society does not see them. With such actions they are just trying to “guide” their unlucky children on the true path. However, the difficulty is that all the knowledge and traditions inherent in house-building have long ago turned from norms of behavior into an unnecessary burden.

Downside this issue the younger ones become weak-willed, weak and bestial, as well as the indifference of the rest of the townspeople to what is happening before their eyes.

The problems of relationships between generations in the drama are shown in parallel with the approaching storm. Just as nature strives to free itself from what it has accumulated, sending life-giving rain onto the petrified soil, so Katerina’s suicide makes the indifferent souls of people tremble.

Thus, we have examined the relationship between generations using examples from life, the origins and manifestations of this problem. In addition, we became acquainted with the works of many Russian writers who accurately, sharply and frighteningly truthfully illuminated this issue.

Good luck to you, dear readers! Try to find the strength to be better so as not to become boars, simpletons and other house-builders.

Play and story

II Main part

1) General idea of ​​the works

2) My impressions.

3) Reality and fiction.

4) “Eternal” problem.

5) The influence of family upbringing

6) An apple from an apple tree.

Family relationships.

The starting point for discussing the problem of relationships between parents and children in the lesson was watching a scene from the Moscow Theater “Contemporary” play “Mom-Papa-Son-Dog” and reading a story by N. Aksyonova.

The play and the story are united by the idea that children often take the love of their parents for granted and regret their inattention to their parents, disobedience and misdeeds, sometimes too late.

Screaming actors in clown costumes with foam ears caused a sharply negative reaction in me, while N. Aksenova’s story awakened warm feelings and light sadness.

The story of a girl who was embarrassed by her father's appearance until she learned that he was ready to give everything for her is very touching and instructive. However, in real life Such dramatic situations do not always happen, so it is more difficult for children to understand the power of love and the readiness for self-sacrifice of their parents.

The topic of relationships between parents and children is complex and multifaceted; it is one of the “eternal” problems of generations, which is reflected in works of art from different eras. The opinions of “fathers” and “children” may not coincide on issues of upbringing and education, choice of profession, life partner, and so on. But even when children, as it seems to them, plan their lives at their own discretion, live by their own minds, in fact, they still implement the behavior model of their parents. Here you can give examples, both positive and negative.

Parents of Masha Mironova - the heroine of the story by A.S. Pushkin's "The Captain's Daughter" - died at the hands of the Pugachevites, without tarnishing their honor with betrayal and cowardice. And Masha herself bravely went to the capital to defend the honor of her fiancé Pyotr Grinev before the empress.

Mrs. Prostakova from the comedy by D.I.

Fonvizin “Nedorosl” treats everyone with disrespect to whom there is no need to curry favor. She pampers her son Mitrofanushka beyond measure and extols him beyond what he deserves. It would seem that this is also a manifestation of parental love, but the result is completely different. The son he adores like his mother is rude and ignorant, and he drives her away: “Get off, mother, how you imposed yourself...”

I believe that family relationship problems can be solved if there is mutual understanding. For parents, nothing is more important than the happiness of their children, and children must remember that no one will support them as much as their parents.

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The problem of relationships between generations in Russian literature

The problem of relationships between generations is considered one of the eternal issues of morality. Time accelerates, but people cannot keep up with it. Social institutions, codes, norms preserve the traditions of the past. The trends of today, not to mention the future, turn into a storm in the musty crypt of the past.

In this article we will try to highlight not only the relationship between generations, but also the elaboration of this issue in the works of Russian writers.

The essence and origins of the problem

Today, in our rapidly moving world in the conditions of total globalization, the problem of relationships between generations is becoming noticeably acute. It seems that children move away from their parents not by one, but by several steps at once.

The peculiarity of the struggle between the new and the old is that the former does not always emerge victorious. Adults have more leverage, confidence in their unshakable rightness, and the need to be an authority and leader for the child.

Next, we will look at this problem from the point of view of psychological scientists, and also find out how writers in the nineteenth and twentieth centuries saw it. The material will be especially interesting for schoolchildren who are preparing for exams. Often one of the topics is the following: “Problems of relationships between generations.” You can easily write an essay on this task after reading this article.

Today, the emphasis has shifted from the experience of older generations to the achievements of peers. The child receives almost all knowledge from his parents in an “outdated” form. These days, the lifespan of an innovation sometimes varies within a few days or hours.

In adolescence, boys and girls are forced to go through a kind of initiation stage. They need to learn to control their emotions, become reasonable and wise. This is called "growing up." The difficulty is that with the acceleration of the pace of life, parents themselves have often not yet fully formed into a holistic, mature personality. Or their image is only suitable for the heroes of a nineteenth-century novel.

The problem is that often parents cannot even tell their offspring what to do correctly in a given situation. After all, they never spent their youth in the conditions of the present time. What was previously considered revolutionary, today young people attribute to the Stone Age.

Let's look at the issue of disagreements between parents and children. How do psychologists and writers see it?

What psychologists say

If the task concerns the problem of relationships between generations, the essay can begin with the opinion of experts on this topic.

Now we will talk about some studies conducted by scientists to study the psychology of the adult generation. They believe that the main problem lies in the inability of elders to understand their failure in matters of education.

It turns out that complacency and the belief that past life experiences are the standard by which a child’s “correctness” should be measured serves as the foundation for discord. It turns out that adults speak one language, and children speak a completely different one.

Moreover, from the point of view of psychologists, the problem of intergenerational relationships often comes from the parents. The most common complaint from children is: “They don’t want to hear me.”

Experiments were conducted to confirm this hypothesis. We will provide a description and results of one of them.

The school asked tenth grade students to rate themselves on a five-point scale. It was necessary to measure internal qualities, such as kindness, sociability, initiative and others. The second task was to determine how their parents would evaluate these same qualities. The older generation was asked to rate their children and then predict their self-esteem.

As a result, it turned out that children understand exactly what their parents think about them, and fathers and mothers, in turn, know absolutely nothing about their offspring.
Other studies have proven, in addition to this point, a number of difficulties in relationships between children and adults. Thus, it was found that the child is more frank with his mother than with his father. The second unpleasant point is that many things that interest a teenager are not usually discussed in our society.

Themes of feelings, openness, and sexuality create an insurmountable barrier between generations in the family. This turn of events leads to formal communication and routinization of relationships.

Turgenev, "Fathers and Sons"

According to many critics, the problem of relationships between generations is most fully illuminated in the novel “Fathers and Sons.” In principle, the greatest attention is paid to it here, but you will soon see that there are other works that touch on this issue.

Ivan Sergeevich in his novel shows not just the confrontation between father and son in a single family. This depicts the problem of relationships between generations, since Kirsanov and Bazarov are not relatives.

The first is young, nihilist, democrat and revolutionary. Pavel Petrovich is shown to be a monarchist and an aristocrat to the core. The clash of their worldviews forms the basis of the plot.

We see that Evgeny Bazarov is inclined to deny everything, putting science above all other values. The image of the landscape of Switzerland, for example, is interesting to him only from a geological point of view. He is pragmatic, trying to prove the advantage of new views. However, in the end, Evgeniy dies with the thought that Russia did not accept him.

Bazarov's antagonist is Kirsanov. He loves to talk about the “Russian idea”, the simplicity of peasant life. But in reality, all his words turn out to be an illusion. He is inclined to only talk about it, but by his actions he shows the opposite.

Like many other writers of the nineteenth century, Ivan Sergeevich Turgenev finds himself on the side of the younger generation. Through the prism of the novel, he shows the agony of the old worldview and the birth in the throes of a new philosophy of society.

Tolstoy, "War and Peace"

Next, we will consider the problem of relationships between generations in the novel “War and Peace”. Here Tolstoy, being a keen expert on human souls and motives of behavior, shows three different families. They have different social status, values ​​and traditions. Using the example of the Bolkonskys, Kuragins and Rostovs, we see almost the entire palette of Russian townspeople of the nineteenth century.

However, the novel shows not only the relationships between different generations, but also the tensions between different layers of society. Bolkonsky, for example, raises children as part of serving the Fatherland. He places honor and benefit for other people above all else. This is how Andrei and Maria grow up. However, the old prince often went too far in his upbringing, which he laments on his deathbed.

Kuragins are shown as the complete opposite of Bolkonsky. These are careerists who put social position above all else. Their example illustrates the cold attitude of parents towards children. The lack of sensuality and trust becomes natural for Helen and Anatole.

In fact, Tolstoy, with the help of the Kuragin family, shows empty people who are interested exclusively in material values ​​and external splendor.

The Rostovs are the complete opposite. An ideal family is depicted here. Parents fully support Nikolai and Natasha. Children can always turn to them for help when they need it. This family is completely different from the aristocratic Bolkonskys and the careerists Kuragins.

Thus, in the first two works we mentioned, the problem of relationships between generations is most fully revealed. It would be best to write an essay (Unified State Exam) based on these novels.

Paustovsky, “Telegram”

When discussing the problem of relationships between generations, arguments from real life will be the best. The story of Konstantin Paustovsky will touch the most painful strings of the human soul. It highlights the situation when children forget their parents.

This is the second extreme to which a family can go. Often the reason is not so much a problem of upbringing as harmful aspects of social influence.

Sometimes teenagers, unprepared for the aggression of the real world, find themselves caught in a whirlpool of other people's goals. They live by other people's ideals and lose themselves. If parents have failed since childhood to accustom their child to the fact that he will be accepted at home in any condition, then the young man will distance himself.

Thus, we are faced with a multifaceted problem of intergenerational relationships. Arguments for proper education and other preventative measures can be made, but it is better to show the dire consequences of the deepening abyss.

It is precisely such examples that we see in the works of many writers. In Telegram, in particular, the daughter was late. When the girl came to her senses and came to visit her mother in the village, she found only a grave mound and a simple tombstone.

Paustovsky shows that pride, hidden anger and other barriers that prevent warm relations between relatives always lead to the tragedy of the “offended”. Therefore, the best way to solve the problem of relationships between generations is forgiveness and a sincere desire to understand the interlocutor.

Gogol, Taras Bulba

The problem of relationships between generations in Russian literature also arises quite acutely in Gogol’s work. He addresses the unexpected and terrible side of the realization of this moment.

The story illustrates the father's murder of his child for the sake of his own sense of honor and pride. Taras Bulba could not forgive and survive the betrayal of ideals on the part of Andrei. He takes revenge on him for the fact that the young man did not grow up to be the person he was raised to be.

On the other hand, he punishes the Poles for the death of their youngest son, Ostap.

Thus, in this work we see the bitter truth of reality. Fathers rarely strive to understand their children. They just want to realize their concept of an “ideal life” in them.

That is why the eternal problem of relationships between generations is. You will find the arguments of Russian writers in favor of the impossibility of solving it in our article. Next we will look at different areas of this issue.

But after reading most of the works and studies, the impression remains that along with age, the ideals of house-building awaken at the genetic level in people.

"Eldest Son" - play and film

We are currently discussing the problem of relationships between generations (the Unified State Exam often includes it in the list of tasks). Let's look at Vampilov's comedy "The Eldest Son". It was written in the late sixties of the twentieth century.

The significance of the work is that several generations are intertwined here. We see relationships between three: fathers, adults and younger children.

The essence of the comedy lies in an innocent joke that develops into a significant stage in the life of an entire family. Two friends (Busygin and Silva) stay late in a strange city and are late for transport. They are looking for a place to stay for the night.

In the city they meet Sarafanov's family. Silva tells their new acquaintance that Busygin is his son. The man takes the message at face value because he “had a sin of his youth.”

The essence of the work is that Busygin has to become a link between his father and children, who do not value their parent at all.

We see the already quite mature “youngest” Vasenka, who burns Natalya’s house out of jealousy. Nina, Busygin's sworn sister, wants to run away with her fiancé to the Far East, but her new brother is holding her back.

Obeying an impulse of feelings, the deceiver confesses everything. Everything in the story ends well. But the main emphasis is still set. The situation is created in a comic form for easy perception and a comfortable introduction of the “family friend” into the comedy.

It is through the prism of an outsider’s view of the family that the problem of intergenerational relationships is revealed. Vampilov’s work is fundamentally different from similar works of the nineteenth and eighteenth centuries. It is here that we see the picture that exists in our time.

The traditions of home building have actually become obsolete, but the gentleness and thoughtless love of many parents plays a cruel joke on them when their children grow up.

Griboedov and Fonvizin

The problem of relationships between generations in “Woe from Wit” is revealed through the example of Famusov and Chatsky. Let's take a closer look at these symbolic images.

The old generation is characterized by worship of rank, wealth and position in society. It is afraid, does not understand and hates new trends. Famusov was stuck in the petty-bourgeois worldview of the last century. His only desire is to find a son-in-law for his daughter with ranks and stars on his chest.

Chatsky is the complete opposite of Pavel Afanasyevich. He not only verbally denounces the Domostroevsky foundations of the past, but with all his behavior he shows the depravity of the old and the power of the new worldview.

Molchalin is Chatsky’s peer, but contrasts with him in thoughts, goals and behavior. He is pragmatic, two-faced and hypocritical. Above all for him is a warm and financial place. That is why the young man pleases Famusov in everything, is quiet and modest with Sophia.

Chatsky has drama in his personal life. The girl he loves calls him crazy and pushes him away, preferring a “servant with rank.” But, despite this, the outcome of the comedy is shown openly to readers. It is the “carbonaris” and rebels who will replace the traditional servility and mossy behavior of the old nobles.

“Nedorosl” also highlights the problem of intergenerational relationships. The essay is a stunning decoding of the saying: “The apple doesn’t fall far from the tree.” Here we see a separate aspect of the relationship between parents and children. Education, which is not intended to help the child find himself in life and realize himself, but to reflect the mother’s outdated picture of the world.

So, in the comedy “The Minor” we see the result that Mrs. Prostakova received. She did her best to protect the child from the “hateful” world and a corrupt society. Teachers were hired for him only because Peter the Great “bequeathed it so.” And Mitrofanushka’s teachers were not distinguished by their learning.

The comedy is written in the vein of classicism, so all the names in it speak. Teachers Tsifirkin, Kuteikin, Vralman. Son Mitrofan, which in Greek means “resembling a mother,” and Prostakova herself.

We see the disappointing results of blindly following dead dogmas without the slightest attempt to comprehend them.

Starodum, Pravdin and some other characters oppose the old traditions. They reflect the desire of the new society to see a soul in a person, and not an empty gilded shell.

As a result of the conflict, we get a completely merciless, greedy and stupid “undergrowth.” “I don’t want to study, but I want to get married,” is the most accurate reflection of his essence.

Coverage of the problem in the works of Pushkin

One of the eternal moral issues is the problem of relationships between generations. Arguments from the life of modern society rarely fully correspond to literary images. The closest situation is mentioned in "The Eldest Son", which we talked about earlier.

The works of the classics of the nineteenth century are often useful to young people only in a global sense. The general ethical and moral themes raised in them will be relevant for centuries to come.

Problems of relationships between generations are highlighted many times in Pushkin’s works. Examples include the following: “The Captain’s Daughter”, “The Station Agent”, “Boris Godunov”, “The Stingy Knight” and some others.

Alexander Sergeevich, most likely, did not set himself the goal of reflecting precisely this conflict, like Tolstoy and Turgenev. The clash of generations has been a part of everyday life since the times of primitive people. It’s just that over time the gap between parents and children becomes wider. This is influenced by progress, changes in social values, globalization and many other factors.

In particular, in “The Station Agent” the situation is similar to the one that Paustovsky later illuminated (we talked about this above). Here Samson's daughter Vyrina escapes from her father's house with a hussar. She finds herself in city society and becomes a rich and respectable lady.

When her father finds her, he does not recognize her and does not want to accept his daughter’s new image. Samson returns to the station, where he becomes an alcoholic and dies. Here the conflict is formed due to the different meanings that the characters attach to the concept of “happiness”.

In "The Captain's Daughter" we see a completely different picture. Here Pyotr Grinev firmly remembered the traditional teachings of his father. Following these rules helped him save face and honor in difficult situations.

The old baron in The Miserly Knight loses his own son because he is committed to the old bourgeois principles. He does not want to change his ossified worldview, feudal views. In this essay we see too great a gap between father and son. As a result, the final severance of ties occurs.

Ostrovsky, "The Thunderstorm"

As you have already seen, if the essay should touch on the problem of relationships between generations, arguments (literary, life and others) can easily help to do this.

To conclude our article, we will give one more example, which perfectly corresponds to the task at hand. Now we will talk about Ostrovsky’s drama “The Thunderstorm”.

This stunning work very clearly shows the clash between the old Domostroevsky and younger generations. Of all the characters, only the main character, Katerina, decides to resist the ossified tyranny of her elders.

There is a saying that Russia is a country of facades. It is in this play that this phrase is deciphered in frightening nakedness. Behind the apparent prosperity and piety of an ordinary Volga town, we discover the true evil hidden in the souls of people.

The problem is not only the cruelty, stupidity and hypocrisy of the older generation. Kabanikha and Wild tyrannize young people only when society does not see them. With such actions they are just trying to “guide” their unlucky children on the true path. However, the difficulty is that all the knowledge and traditions inherent in house-building have long ago turned from norms of behavior into an unnecessary burden.

The downside of this issue is the lack of will, weakness and bestial obedience of the younger ones, as well as the indifference of the rest of the townspeople to what is happening before their eyes.

The problems of relationships between generations in the drama are shown in parallel with the approaching storm. Just as nature strives to free itself from what it has accumulated, sending life-giving rain onto the petrified soil, so Katerina’s suicide makes the indifferent souls of people tremble.

Thus, we have examined the relationship between generations using examples from life, the origins and manifestations of this problem. In addition, we became acquainted with the works of many Russian writers who accurately, sharply and frighteningly truthfully illuminated this issue.

Good luck to you, dear readers! Try to find the strength to be better so as not to become boars, simpletons and other house-builders.

Conflict between fathers and children, Tendryakov (Unified State Examination in Russian)

Problems in modern world so many. One of them is the problem conflict between fathers and children. It is about this that the Soviet writer V.F. Tendryakov discusses in his text.

The author says that for a teenager there comes a time when every family begins to seem dysfunctional to him, “within its framework the child becomes cramped.” The writer also emphasizes the short temper and irritability of children during these periods, they leave home more often, and many things piss them off.

According to V.F. Tendryakov, the sacramental conflict between fathers and children did not appear yesterday. The child tries to independently master the world around him, strives for independence from his parents, and because of this, inevitable quarrels occur.

It is impossible to disagree with the author's position. Children and parents often do not understand each other and do not listen to the opinions of one of the parties. Because of this, problems and conflicts arise that spoil their relationships. To prove the correctness of this point of view, let us turn to examples from the literature.

Thus, in A.S. Griboyedov’s comedy “Woe from Wit,” representatives of the past and present centuries, who hold completely different views, collide. The main character is filled with lofty ideas and protests against the old order. Chatsky fights for freedom, intelligence, culture, patriotism. A representative of the last century is Famusov, for whom the most important thing in life is rank, official position.

The heroes confront each other, conflict is inevitable.

I. Turgenev in his novel “Fathers and Sons” also discusses the problem of conflict between fathers and children. Here generations of the old and new centuries collide. Against the background of this conflict, the relationship of the nihilist Bazarov with his parents is depicted. He doesn't understand his feelings for them. On the one hand, in a fit of frankness, the hero admits to Arkady that he loves them, but in contrast to this, he despises the “stupid life of his fathers.” Bazarov does not respect the opinions of his parents and their views on the world. He dies, but his parents, despite their son’s callous attitude, still love him..

We can conclude that the sacramental conflict between fathers and sons was not born yesterday. Children and parents often do not understand each other and do not listen to the opinions of one of the parties. Because of this, problems and quarrels arise that spoil their relationship.

Arguments to the problem of relationships between parents and children (Unified State Examination Arguments)

The problem of children's ingratitude

Denis Ivanovich Fonvizin “Minor”

The problem of children’s ingratitude to their parents is raised in Denis Fonvizin’s comedy “The Minor.” Mrs. Prostakova is a rude woman, a landowner, ready to do anything for the sake of her son Mitrofan. She does not force him to study, does not scold him, since she sees only the best traits in Mitrofan, which is inherent in every mother, but the son turns away from Prostakova in difficult times. This example suggests that there are children who do not value their parents, do not feel responsible for their elders, and do not realize that the indifference of children causes suffering to their parents.

Alexander Sergeevich Pushkin “Station Warden”

In the story “The Station Warden” by Alexander Sergeevich Pushkin, the problem of ingratitude in children is reflected in the example of his daughter. Samson Vyrin- main character story, survived his daughter’s escape, her indifference to her father’s life and lost the meaning of his existence. The daughter does not come to him, and only when Samson dies does the daughter come to his grave.

Anton Pavlovich Chekhov "The Cherry Orchard"

The problem of children forgetting about their parents is raised in Anton Pavlovich Chekhov’s play “The Cherry Orchard.” The footman Yasha does not remember his mother, but only dreams of leaving for Paris as soon as possible.

He does not feel a family connection with anyone, does not feel love for anyone.

The problem of generational conflict

Ivan Sergeevich Turgenev “Fathers and Sons”

The novel by Ivan Sergeevich Turgenev raises the problem of attitudes towards maternal love, which is presented through the example of the Bazarov family. Arriving in native home, Bazarov encounters the love of his mother, who does not leave his side and tries to please her son. On the one hand, Evgeniy loves them, but on the other hand, he believes that love, even maternal love, does not exist for him. BUT maternal love was stronger than all other feelings of Eugene, it lives even when the hero dies. Evgeniy accidentally dies not only because of illness, but because he turned out to be consumed by love, from the recognition of his family, he could not stand the test, his theory turned out to be incorrect, it is untenable in life.

Arguments on the problem of relationships between parents and children

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106.3 (Fathers and sons) Relationships between two different generations

I.S. reflects on the complexity of the relationship between two different generations. Turgenev.

The author cites a dialogue between two representatives of the older generation, Pavel Petrovich and Nikolai Petrovich, in which they discuss their “heirs”. The first believes that they, the parents, are “much more right than these gentlemen,” and “today’s youth” seems to him inflated and arrogant. The second participant in the conversation is sure: yes, “fathers” and “children” will never understand each other, “the pill is bitter - but you need to swallow it.” In my opinion, this is precisely the opinion that the writer is inclined towards.

Position of I.S. Turgenev is not difficult to define: it is very difficult for people “belonging to two different generations” to understand each other.

I remember A. Griboyedov’s comedy “Woe from Wit,” which describes the clash between the society of P. Famusov, a supporter of the old order, the main “father” of the work, with A. Chatsky, a man of progressive views, a representative of the “children.” From the scene of the appearance of the main character in the house of Pavel Afanasyevich Famusov, it becomes absolutely clear: these people will never understand each other.

The problem of relationships between people belonging to different generations is one of the central ones in the drama “The Thunderstorm” by A. N. Ostrovsky. Here we observe a conflict between the young victims of the “dark kingdom” and its old masters, a conflict that even the death of the main character will not resolve!

Thus, I can conclude that it is very difficult for people belonging to different generations to understand each other.

A complete collection of arguments for passing the Russian language exam with convenient sorting by problem

Relationships between parents (fathers) and children - Unified State Exam arguments

Abstracts

  • Misunderstanding between generations arises due to differences in worldviews
  • Parents' advice means a lot to children
  • A person’s attitude towards his parents can be used to judge his moral qualities.
  • Not taking care of your parents means betraying them
  • Parents are not always good to their children.
  • Many are ready to sacrifice the most precious things in order for their children to be happy
  • Correct relationships between children and parents are built on love, care, support
  • Sometimes the truly close person becomes not the one who gave birth, but the one who raised
  • Arguments

    I.S. Turgenev “Fathers and Sons”. In this work we see a real conflict of generations. The generation of “fathers” includes Pavel Petrovich and Nikolai Petrovich Kirsanov. The generation of “children” is Evgeny Bazarov and Arkady Kirsanov. Young people share the same views: they say they are nihilists - people who reject generally accepted values. The older generation doesn't understand them. The conflict leads to fierce disputes and a duel between Evgeniy Bazarov and Pavel Petrovich Kirsanov. Gradually, Arkady Kirsanov realizes that his values ​​do not coincide with Bazarov’s teachings, and returns to his family.

    N.V. Gogol “Taras Bulba”. Father not only wants to give Ostap and Andriy a decent education, but also to make them real warriors defending their Motherland. Taras Bulba cannot forgive Andria for his betrayal (he goes over to the side of the enemy because of his love for a Polish woman). Despite the seemingly fatherly love, he kills his son. Taras Bulba is proud of Ostap, the eldest son, who fights the enemy selflessly, with all his might.

    A.S. Griboyedov “Woe from Wit”. The source of happiness for Famusov is money. He loves his daughter Sophia, wishes her all the best, so he teaches the girl only to think about financial well-being. Such views are alien to Sofya Famusova; she diligently hides her feelings from her father, because she knows that they will not support her. Things are completely different with Molchalin, whom his father taught to always and everywhere seek profit: he follows this principle in everything. Parents, wanting to ensure the happiness of their children, passed on their views on life to them. The only problem is that these very views are incorrect.

    A.S. Pushkin “The Captain's Daughter”. Father, sending Pyotr Grinev to serve, said a very important and correct thing: “Take care of your shirt again, and take care of your honor from a young age.” Father's words became young man the most important moral guideline. In the most difficult conditions, threatening death, Pyotr Grinev retained his honor. It was truly important for him not to betray his father and homeland. This example is a clear confirmation that parental instructions help the child learn the most important moral values.

    A.S. Pushkin “Station Warden”. Dunya committed an immoral act: she ran away from her parents’ house with Minsky, who was staying at their station. Her father, Samson Vyrin, could not live without his daughter: he decided to go on foot to St. Petersburg to find Dunya. One day he was lucky enough to see a girl, but Minsky drove the old man away. After a while, the narrator learned that the caretaker had died, and Dunya, who betrayed him, came to the grave with three barchats and lay there for a long time.

    K.G. Paustovsky “Telegram”. Katerina Petrovna loved her daughter Nastya very much, who lived in Leningrad very brightly, rich life. Only the girl completely forgot about her old mother, she didn’t even try to find time to visit her. Even Katerina Petrova’s letter that she has become completely unwell is not taken seriously by Nastya and does not consider the possibility of immediately going to her. Only the news that her mother is dying evokes feelings in the girl: Nastya understands that no one loved her as much as Katerina Petrovna. The girl goes to her mother, but no longer finds her alive, so she feels guilty before the person most dear to her.

    F.M. Dostoevsky “Crime and Punishment”. Rodion Raskolnikov sincerely loves his mother and sister. Speaking about the motives for the murder of the old pawnbroker, he says that he actually wanted to help his mother. The hero tried to get out of eternal poverty and troubles. As he pawns the watch, he remembers with trepidation his father, who owned the thing.

    L.N. Tolstoy “War and Peace”. In the work we see several families whose lives are based on completely different moral principles. Prince Vasily Kuragin is an immoral man, ready to do any meanness for the sake of money. His children are guided by exactly the same principles: Helene marries Pierre Bezukhov in order to receive part of a huge inheritance, Anatole tries to run away with Natasha Rostova. A completely different atmosphere reigns among the Rostovs: they enjoy nature, hunting, and holidays. Both parents and children are kind, sympathetic people, incapable of meanness. Prince Nikolai Bolkonsky raises his children in strictness, but this severity is for their benefit. Andrei and Marya Bolkonsky are moral people, true patriots, like their father. We see that there is a close relationship between parents and children. The worldview of children depends on the worldview of parents.

    A.N. Ostrovsky “Thunderstorm”. In Kabanikha's family, relationships are built on fear, cruelty, and hypocrisy. Her daughter Varvara has learned to lie perfectly, which she wants to teach Katerina too. Son Tikhon is forced to obey his mother unquestioningly in everything. All this leads to terrible consequences: Katerina decides to commit suicide, Varvara runs away from home, and Tikhon decides to “revolt” against Kabanikha.

    A. Aleksin “Division of property.” Verochka was raised by grandmother Anisya: she literally gave birth to a child who had suffered a severe birth trauma, on your feet. The girl calls her grandmother her mother, which displeases her real mother. The conflict gradually escalates and ends in court, where the property is divided. What strikes Verochka most is that her parents turned out to be such callous, ungrateful people. The girl is having a hard time with the situation; she writes a note to her parents, defining herself as property that should go to her grandmother.

    bank-argumentov.info

    The problem of relationships between generations arguments

    Sofya Famusova, who grew up in an atmosphere of lies and deception, carefully hides her feelings from her father, realizing that he will not allow the development of relations with Molchalin. He does everything in defiance of his father. Molchalin, on the contrary, is faithful to his moral (or immoral) credo, builds his life as his father bequeathed: to please all people without exception. Griboyedov gives the reader the opportunity to reflect on the future of both heroes.

    2. A.S. Pushkin "The Captain's Daughter"

    The upbringing of Petrusha Grinev remains beyond the pages of the text, but the main thing that the young nobleman learned from communication with his father (a strict and demanding man) is the need to be true to his word, take care of honor, and observe the laws of morality. He does this to everyone life situations. Even when his father forbids him to marry his beloved Masha Mironova, he accepts his will as a mandatory requirement.

    3. N.V. Gogol "Dead Souls"

    From Chichikov’s childhood memories, the image of a gloomy, unkind, cruel father and his instructions about the need to take care and save a penny, the only idol in Pavel Ivanovich’s life, emerges. Chichikov builds his life according to his father’s behests and succeeds in many ways.

    4. A.N. Ostrovsky "Thunderstorm"

    The relationship between mother and children in the Kabanov family is based on fear and hypocrisy. Varvara is accustomed to lying and is trying to teach Katerina this. But the brother’s wife had different relationships in the family; she does not accept her mother-in-law’s hypocrisy and fights her with her own means. The ending of such an upbringing is predictable: Varvara runs away from home, Katerina dies voluntarily, Tikhon rebels against his mother.

    5. I.S. Turgenev "Fathers and Sons"

    The “children” in the novel - Bazarov and Arkady Kirsanov - at the beginning of the story act as a united front against the “fathers” in the person of Uncle Arkady - Pavel Petrovich. Nikolai Petrovich does not resist the bold and daring statements of his son and his friend. And he acts wisely and far-sightedly. Gradually, many discrepancies in his friend’s behavior are revealed to Arkady, and he returns to the bosom of the family. And Bazarov, who so easily criticizes the “romanticism” of the Kirsanovs, is absolutely sensitive to such behavior of his father, because he loves his parents and takes care of them.

    6. L.N. Tolstoy "War and Peace"

    The novel presents several families, in each of which relationships are built on certain principles. In the Kuragin family, this is the principle of profit and gain. Both the father and his children agree to any relationship, as long as it is profitable, that’s how marriages are made. The Drubetsky family is guided by the same principle: humiliation and servility are their tools in achieving their goals. The Rostovs live as they breathe: they enjoy friends, holidays, hunting - everything that decorates our lives. Father and mother try to be honest in everything with their children and each other. Benefits are not important to them. Practically ruining her family and herself, Natasha demands that carts be given to the wounded; this is the only thing a true patriot and merciful person can do. And the mother agrees with her daughter. The relationship between father and daughter Bolkonsky is similar. And although it seems that the father is too strict and intolerant towards his daughter, in fact, he understands too well the difficulties of his daughter’s upcoming life. Therefore, Princess Marya herself refuses Anatoly Kuragin, realizing how right her father is.

    7. F.M. Dostoevsky "Crime and Punishment"

    Rodion Raskolnikov, explaining the reason for the murder of the old pawnbroker, says that he wanted to help his mother. In fact, he is very sensitive to his mother, trying to escape from vicious circle poverty. With trepidation and excitement, he remembers his father, from whom he was left with a watch (pawned to an old woman pawnbroker). The mother does not fully believe in the crime of her beloved Rodya.

    8. A.P. Chekhov "The Cherry Orchard"

    In the play, daughter Anya, a seventeen-year-old girl, goes after her prodigal mother, lost somewhere in Paris, in order to return her to the bosom of the family to solve problems with the estate. Ranevskaya behaves naively and stupidly. Only Varya, the adopted daughter of the same Ranevskaya, is endowed with common sense. When Lyubov Andreevna gives a gold piece to a passing beggar, Varya cannot stand it and says that there is nothing in the house, and the lady is throwing away such money. Having lost everything, Ranevskaya leaves for Paris and takes away her aunt’s money, leaving her daughters to their fate. The girl Anya is going to the capital, and it is not clear how her life will turn out, where she will get money for living. Varya goes to work as a housekeeper. Fathers and sons change places here.

    9. M.A. Sholokhov "Quiet Don"

    In the Melekhov family, everything rests on the power of the father. And when Panteley Prokofievich finds out about Grigory’s relationship with Aksinya, he decides to marry his son to Natalya. Gregory submits to his father's will. But, realizing that he does not love his wife, he gives up everything and goes with Aksinya to work as workers. He agrees to shame in the name of love. But time destroys everything in the world, and the Melekhovs’ house, the foundations of Cossack life, collapses. And soon no one obeys the laws of life, everyone lives as they want. Daria advances on her father-in-law with an obscene proposal, and Dunyashka puts her mother in a hopeless position and literally forces her to give her blessing for marriage to Mishka Koshev.

    10. B. Vasiliev “Tomorrow there was war”

    The story focuses on two families, Iskra Polyakova and Vika Lyuberetskaya. Iskra's mother is a female commissar, strong-willed, domineering, and strict. But when the mother once again decides to flog her daughter with her soldier’s belt, she responds in the spirit of her mother - just as strictly and irrevocably. And the mother understands that the girl has matured. Vika and her father have a completely different relationship - warm and trusting. When the girl is faced with a choice: abandon her father or be expelled from the Komsomol, Vika decides to take her own life. She cannot abandon her beloved father, no matter what suspicions fall on him.

    Reading in the section:

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    • 1. V.M. Shukshin “Distant Winter Evenings” There are battles near Moscow, and in the Altai village the main character of the story, Vanya Popov, dreams of getting three logs.

      1. A.T. Tvardovsky “By the right of memory” In his autobiographical poem, the author recalls the past in which he was during collectivization.

      Literary arguments for preparing schoolchildren to write an essay on the problem of the lack of spirituality of modern society.

      Literary arguments for preparing schoolchildren to write an essay on the problem of the relationship between man and government.

      511. Generation conflict as a social problem

      (351 words) The psychology of intergenerational relationships is often very complex and contradictory. Moreover, these relationships are usually conflicting due to misunderstandings and differences in the worldviews of the “fathers” and “children.” This is a problem that worried writers of different eras, so we can see it in many works of Russian literature. Due to its importance, it has long acquired the status of “public”, that is, affecting all of us.

      So, in the novel by I.S. Turgenev's "Fathers and Sons" the "fathers" are the Kirsanov brothers (we especially pay attention to Pavel Petrovich as the main antagonist to the main character), and the representatives of the "children" are the nihilist Evgeny Bazarov and his friend Arkady. “Fathers” are conservatives, they think “old-fashioned.” The writer shows that their system has already outlived its usefulness and requires changes. But in opposition to the “fathers” he puts not just anyone, but a nihilist, whose position is also not completely consistent: “destroy everything” in order to “build” - the author does not accept such a step. In general, Turgenev is somewhere between his heroes, sympathizing with both. The conflict in the novel is resolved simply: Bazarov achieves nothing by his arguments with Kirsanov, they do not understand each other. In the end, Evgeniy dies without having done anything, and the author seems to want to say: “The time for “children” has not yet come.”

      In the work of A.S. Griboedov’s “Woe from Wit” we also see a clash of different generations. Here we have a conflict between the young Chatsky and the conservative Famusov. Alexander, having gained experience abroad, wants to see Russia progressing. However, having returned to Moscow, he understands that “the houses are new, but the prejudices are old”: nothing changes in his homeland, veneration and bribery dominate in society. Famusov, as a representative of “old” Moscow, is forced to try to impose his opinion on Chatsky, talks about Kuzma Petrovich and his other acquaintances who achieved wealth through dishonest means. Fathers and children do not understand each other; they think too differently. As in Turgenev’s novel, here the time for progressive youth has not yet come, and Chatsky retires into the unknown, realizing that he has no place in Famusov’s house.

      It must be said that in both works the conflict of generations is irresolvable. Each of them is associated with a certain stage in the development of society, and each has its own time. Conservatism holds a very strong hold in people's minds, so new ideas are always forced to painfully wait in the wings, just as Bazarov and Chatsky had to wait.

      The problem of relationships between “fathers” and “children”

      Ivan Sergeevich Turgenev

      The problem of misunderstanding between different generations is revealed in the classic work “Fathers and Sons.” The feeling of alienation towards his parents and elder Kirsanovs does not leave Evgeny Bazarov. He admits that he loves them, but upsets them with his attitude.

      Childhood. Adolescence. Youth

      As Nikolenka Irtenev grows up, she learns about the world and its imperfections. He sees the misunderstanding of his elders, but at times he himself offends them. This is shown in the chapters “Natalia Savishna”, “Classes”.

      Telegram

      Konstantin Georgievich Paustovsky

      Nastya lives in Leningrad, where she has many important things to do. When she receives a telegram about her mother's illness, "urgent" matters prevent her from going home immediately. Realizing the consequences of her delay, she arrives in the village, but it is too late: her mother has died.

      Nikolai Vasilyevich Gogol

      The story “Taras Bulba” by the Russian classic N.V. Gogol shows the relationship between Taras and his sons, as well as the mother’s love for Andriy and Ostap.

      Anatoly Georgievich Aleksin

      The heroine of the story, Olenka, is a very talented girl, but her parents spoiled her. The girl's selfishness, reinforced by blind parental love, gave her a feeling of exclusivity. She refuses to understand the experiences and feelings of her family and friends, which causes her mother to become seriously ill.

      Taras Bulba

      Only when Ostap and Andriy pass the test in battle can their education be considered complete. This was the opinion of Ostap Bulba, who valued camaraderie more than anything else in the world, even more than blood ties. However, when Andriy turned out to be a traitor, Ostap could not forgive and killed him with his own hands. The second son, Ostap, became an outlet for Taras, as he showed courage not only in battle, but also during the execution.

      Peter and Wendy commit a heinous crime: they kill their parents. However, this did not happen by chance. They became this way as a result of improper upbringing, when they were overly pampered and indulged in every whim.

      Beginning of the form

      Fazil Abdulovich Iskander

      Georgy Andreevich, the hero of the story, understands that parental authority is gained not by threats and orders, but by hard work and demonstrating to the son that his father is worthy of respect.

      Andrey Vladimirovich Amlinsky

      The influence of parents on children can be seen in the relationships between three generations of the Kovalevsky family. In the novel “The Neskuchny Garden,” both son and father strive for spiritual communication with each other. According to the author, parents must certainly understand and empathize with their children. Otherwise, it is impossible to avoid the alienation of children from family, school and society as a whole. Mistrust and misunderstanding give rise to drama in relationships between loved ones.

      Even in the most difficult moments, his father’s instructions helped Pyotr Grinev remain faithful to duty and an honest person.

      Chichikov's father taught him to "save a penny." As a result, he devoted himself to money all his life, becoming an unscrupulous person.

      Poem Spring

      Mikhail Vasilievich Isakovsky

      M. Isakovsky in the poem “Spring” describes the spontaneity of children, their naive delight and the slow thoughts of old people about their lives.

      The story “The Station Agent” reveals the problem of relationships between parents and children. Samson Vyrin loves his daughter madly and finds his happiness in her. While she is around, the house is clean, warm and cozy. However, it was not for nothing that paintings depicting the biblical story of the prodigal son hinted at the imminent end of his father’s prosperity. Samson is left alone and loses the meaning of his existence. When the prodigal daughter returns, it is too late: the father has died.

      In Turgenev’s “The Sparrow,” the bird heroically rushes into battle against the dog, trying to protect its offspring.

      Mad Evdokia

      Father and mother spoiled Olenka, the heroine of the story, so much that she became a convinced egoist, confident in her own exclusivity. She doesn't want to empathize with her friends and family. Olya's callousness leads to her mother becoming seriously ill.

      According to Taras Bulba, only knowledge of military wisdom can complete the education of Andriy and Ostap. Only after this, he dreamed, would his sons be able to become his worthy heirs. But Andriy became a traitor, which forced Taras to kill him. Only Ostap retained his father's respect, showing courage in battle and in the face of death during the execution. Taras valued camaraderie above family ties.

      Ray Bradbury

      Peter and Wendy committed a monstrous inhumane crime: they killed their parents. The author believes that this act was the result of improper upbringing, due to which they became too spoiled.

      Georgy Andreevich sees that parental authority must be won, and not obtained through threats and orders. You need to be able to prove to your son that his father is worthy of respect.

      Boring Garden

      The author shows the influence of parents on their children using the example of three generations who grew up in the Kovalevsky family. The son finds answers to his father's tormenting questions. But the father also strives for spiritual communication with his son. According to the writer, adults must understand and empathize with their children. Otherwise, this will lead to alienation in the family, school, and then in society. Misunderstanding and mistrust lead to drama and tension in relationships between people.

      Captain's daughter

      Alexander Sergeevich Pushkin

      Thanks to his father's instructions, Pyotr Grinev remains honest and faithful to duty even in the most stressful moments.

      Dead Souls

      As his father advised, Chichikov devoted his entire life to “saving a penny.” This turned him into a shameless person.

      In the novel, I.S. Turgenev touches on the problem of nihilism in Russian society of the 60s. XIX century. Bazarov is the bearer of a new philosophical idea - nihilism. According to this theory, a radical change in the social structure and worldview is necessary. Evgeniy tries to prove that art and emotions slow down progress and only hinder the development of science. He is against spiritual and material values. Those around him do not share Bazarov’s views; he comes up against a wall of misunderstanding and unwillingness to change anything in life. Contradictions also arise in the main character himself: he understands that he was mistaken in denial (he himself experiences a feeling of love for Anna Odintsova, examines the painting).

      I.S. Turgenev addresses the topic of friendship and shows that friendship is impossible without a community of interests and mutual respect. Bazarov, except Arkady Kirsanov, has no friends. However, Evgeny does not value this friendship. He laughs arrogantly and ironically at Arkady’s statements. Kirsanov, on the contrary, admires his friend. Bazarov is a strong personality, and Arkady, valuing friendly relationships, obeys him in everything. Their relationship can hardly be called friendship: there is no mutual understanding between the young people. I.S. Turgenev emphasizes the contrast of his heroes. Bazarov constantly works, conducts experiments, reads scientific literature. Arkady does not do anything serious, he loves comfort and peace (“a gentle soul, a weakling”? Bazarov says about him). The contrast is noticeable in the manner of dressing and behavior.

      Fathers and Sons

      The writer continues to create images of a gallery of “extra people” (Chatsky, Onegin, Pechorin). Bazarov does not find mutual understanding in society and cannot realize himself in life. He is focused on himself and indifferent to the problems and feelings of those around him. Being at odds with himself, Bazarov tries to dispel the spiritual emptiness with incidents and events that turn into a tragedy for everyone. Speaking about nihilism as an opportunity to prepare a platform for the creation of something new, the hero does not have a clear idea of ​​what exactly will be built on the site cleared of old “prejudices.” His ideas about the new world are debunked when the hero experiences a real feeling of love, when he realizes that his scientific experiments will not be able to stop the epidemic. He feels like an extra person. It is no coincidence that Bazarov dies: he has no idea how to continue to live.

      The relationship between fathers and children is considered from several points of view. The author does this using the example of three families: the Rostovs, the Kuragins and the Bolkonskys. Each family has its own ideology and dogma of behavior.

      War and Peace

      The example of the Rostov family shows a warm attitude and love for children, and there is no ideological confrontation between parents and children. The mother's authority is so strong that son Nikolai does not dare to go against her and marry Princess Marya Bolkonskaya, and not his beloved Sonya.

      The Kuragin family is an example of a selfish and financially insatiable family, where all parental education is based on teaching profit and the correct order in the world. Using the example of the Kuragin children, Anatoly and Helen, the author shows readers what happens to people who live only with the desire for profit.

      The Bolkonskys are a family where the father rules. He educates everyone in rigor and morality. Marya Bolkonskaya grows up to be a pious and all-understanding girl who loves and honors her father. Andrei Bolkonsky is a son who is exemplary in the author’s understanding. His father, who once did not see eye to eye with him, nevertheless found a way to his son’s heart and led him to the Christian idea.

      Lev Nikolaevich Tolstoy

      The theme of fathers and sons is also revealed through the example of the families of the Bezukhovs, Nikolai Rostov and even his son Andrei. The family of Natasha Rostova and Pierre Bezukhov is an example of moral love for children and respect for each other.

      The relationship between fathers and children in the story “Numbers” is illustrated by the example of little Zhenya and his entire family: mother, grandmother and uncle. The works are written from the perspective of the latter, who recalls one episode from his life.

      The work is perceived differently by a child and an adult. This is because the story is permeated with emotions: bright children’s and scrupulously methodical adults. The relationship is illustrated by the example of one situation: an inquisitive boy wants to explore the world, is drawn to studying numbers, and his uncle has no time for this moment deal with him

      The child's joy in anticipation of a learning event develops into pampering, because children do not grasp emotional boundaries well. Misunderstanding on the part of adults is manifested in the fact that neither grandmother, nor mother, nor, especially, uncle understand his behavior and begin to scold him

      One of the ideas that adults are guided by is the lack of pampering in upbringing, which is manifested in the fact that the uncle, under the power of anger, grabs the boy and throws him out the door.

      The fact that not all is lost, and the world of children and adults can be united into a single whole, is evidenced by the fact that the grandmother, as the wisest of the family members, nevertheless found an approach to the baby and convinced him that he needed to make peace with his uncle .

      Sergei Trofimovich Alekseev

      The degree of grief of a child can be understood by the phrase that he speaks rashly and out of resentment. He shouts that he doesn’t love his uncle. Here you can see the degree of tragedy of the situation through the eyes of a child.

      It is no coincidence that the author writes the story on behalf of his uncle. This suggests that the relationship between children and adults is a dynamic system where participants can change their views and positions. The most important thing is to be guided by the feeling of love, and not by generally accepted dogmas

      The boy Zhenya is an example of an inquisitive, pure soul, which adults, due to their callousness in life, are not able to understand. And by the fact that reconciliation still occurs between uncle and nephew, the author shows that adults can also be changed. They can be made to feel the unknown world of joy and forgotten pure emotions of childhood

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      The problem of relationships between generations in Russian literature

      The problem of relationships between generations is considered one of the eternal issues of morality. Time accelerates, but people cannot keep up with it. Social institutions, codes, norms preserve the traditions of the past. The trends of today, not to mention the future, turn into a storm in the musty crypt of the past.

      In this article we will try to highlight not only the relationship between generations, but also the elaboration of this issue in the works of Russian writers.

      The essence and origins of the problem

      Today, in our rapidly moving world in the conditions of total globalization, the problem of relationships between generations is becoming noticeably acute. It seems that children move away from their parents not by one, but by several steps at once.

      The peculiarity of the struggle between the new and the old is that the former does not always emerge victorious. Adults have more leverage, confidence in their unshakable rightness, and the need to be an authority and leader for the child.

      Next, we will look at this problem from the point of view of psychological scientists, and also find out how writers in the nineteenth and twentieth centuries saw it. The material will be especially interesting for schoolchildren who are preparing for exams. Often one of the topics is the following: “Problems of relationships between generations.” You can easily write an essay on this task after reading this article.

      Today, the emphasis has shifted from the experience of older generations to the achievements of peers. The child receives almost all knowledge from his parents in an “outdated” form. These days, the lifespan of an innovation sometimes varies within a few days or hours.

      In adolescence, boys and girls are forced to go through a kind of initiation stage. They need to learn to control their emotions, become reasonable and wise. This is called "growing up." The difficulty is that with the acceleration of the pace of life, parents themselves have often not yet fully formed into a holistic, mature personality. Or their image is only suitable for the heroes of a nineteenth-century novel.

      The problem is that often parents cannot even tell their offspring what to do correctly in a given situation. After all, they never spent their youth in the conditions of the present time. What was previously considered revolutionary, today young people attribute to the Stone Age.

      Let's look at the issue of disagreements between parents and children. How do psychologists and writers see it?

      What psychologists say

      If the task concerns the problem of relationships between generations, the essay can begin with the opinion of experts on this topic.

      Now we will talk about some studies conducted by scientists to study the psychology of the adult generation. They believe that the main problem lies in the inability of elders to understand their failure in matters of education.

      It turns out that complacency and the belief that past life experiences are the standard by which a child’s “correctness” should be measured serves as the foundation for discord. It turns out that adults speak one language, and children speak a completely different one.

      Moreover, from the point of view of psychologists, the problem of intergenerational relationships often comes from the parents. The most common complaint from children is: “They don’t want to hear me.”

      Experiments were conducted to confirm this hypothesis. We will provide a description and results of one of them.

      The school asked tenth grade students to rate themselves on a five-point scale. It was necessary to measure internal qualities, such as kindness, sociability, initiative and others. The second task was to determine how their parents would evaluate these same qualities. The older generation was asked to rate their children and then predict their self-esteem.

      As a result, it turned out that children understand exactly what their parents think about them, and fathers and mothers, in turn, know absolutely nothing about their offspring.
      Other studies have proven, in addition to this point, a number of difficulties in relationships between children and adults. Thus, it was found that the child is more frank with his mother than with his father. The second unpleasant point is that many things that interest a teenager are not usually discussed in our society.

      Themes of feelings, openness, and sexuality create an insurmountable barrier between generations in the family. This turn of events leads to formal communication and routinization of relationships.

      Turgenev, "Fathers and Sons"

      According to many critics, the problem of relationships between generations is most fully illuminated in the novel “Fathers and Sons.” In principle, the greatest attention is paid to it here, but you will soon see that there are other works that touch on this issue.

      Ivan Sergeevich in his novel shows not just the confrontation between father and son in a single family. This depicts the problem of relationships between generations, since Kirsanov and Bazarov are not relatives.

      The first is young, nihilist, democrat and revolutionary. Pavel Petrovich is shown to be a monarchist and an aristocrat to the core. The clash of their worldviews forms the basis of the plot.

      We see that Evgeny Bazarov is inclined to deny everything, putting science above all other values. The image of the landscape of Switzerland, for example, is interesting to him only from a geological point of view. He is pragmatic, trying to prove the advantage of new views. However, in the end, Evgeniy dies with the thought that Russia did not accept him.

      Bazarov's antagonist is Kirsanov. He loves to talk about the “Russian idea”, the simplicity of peasant life. But in reality, all his words turn out to be an illusion. He is inclined to only talk about it, but by his actions he shows the opposite.

      Like many other writers of the nineteenth century, Ivan Sergeevich Turgenev finds himself on the side of the younger generation. Through the prism of the novel, he shows the agony of the old worldview and the birth in the throes of a new philosophy of society.

      Tolstoy, "War and Peace"

      Next, we will consider the problem of relationships between generations in the novel “War and Peace”. Here Tolstoy, being a keen expert on human souls and motives of behavior, shows three different families. They have different social status, values ​​and traditions. Using the example of the Bolkonskys, Kuragins and Rostovs, we see almost the entire palette of Russian townspeople of the nineteenth century.

      However, the novel shows not only the relationships between different generations, but also the tensions between different layers of society. Bolkonsky, for example, raises children as part of serving the Fatherland. He places honor and benefit for other people above all else. This is how Andrei and Maria grow up. However, the old prince often went too far in his upbringing, which he laments on his deathbed.

      Kuragins are shown as the complete opposite of Bolkonsky. These are careerists who put social position above all else. Their example illustrates the cold attitude of parents towards children. The lack of sensuality and trust becomes natural for Helen and Anatole.

      In fact, Tolstoy, with the help of the Kuragin family, shows empty people who are interested exclusively in material values ​​and external splendor.

      The Rostovs are the complete opposite. An ideal family is depicted here. Parents fully support Nikolai and Natasha. Children can always turn to them for help when they need it. This family is completely different from the aristocratic Bolkonskys and the careerists Kuragins.

      Thus, in the first two works we mentioned, the problem of relationships between generations is most fully revealed. It would be best to write an essay (Unified State Exam) based on these novels.

      Paustovsky, “Telegram”

      When discussing the problem of relationships between generations, arguments from real life will be the best. The story of Konstantin Paustovsky will touch the most painful strings of the human soul. It highlights the situation when children forget their parents.

      This is the second extreme to which a family can go. Often the reason is not so much a problem of upbringing as harmful aspects of social influence.

      Sometimes teenagers, unprepared for the aggression of the real world, find themselves caught in a whirlpool of other people's goals. They live by other people's ideals and lose themselves. If parents have failed since childhood to accustom their child to the fact that he will be accepted at home in any condition, then the young man will distance himself.

      Thus, we are faced with a multifaceted problem of intergenerational relationships. Arguments for proper education and other preventative measures can be made, but it is better to show the dire consequences of the deepening abyss.

      It is precisely such examples that we see in the works of many writers. In Telegram, in particular, the daughter was late. When the girl came to her senses and came to visit her mother in the village, she found only a grave mound and a simple tombstone.

      Paustovsky shows that pride, hidden anger and other barriers that prevent warm relations between relatives always lead to the tragedy of the “offended”. Therefore, the best way to solve the problem of relationships between generations is forgiveness and a sincere desire to understand the interlocutor.

      Gogol, Taras Bulba

      The problem of relationships between generations in Russian literature also arises quite acutely in Gogol’s work. He addresses the unexpected and terrible side of the realization of this moment.

      The story illustrates the father's murder of his child for the sake of his own sense of honor and pride. Taras Bulba could not forgive and survive the betrayal of ideals on the part of Andrei. He takes revenge on him for the fact that the young man did not grow up to be the person he was raised to be.

      On the other hand, he punishes the Poles for the death of their youngest son, Ostap.

      Thus, in this work we see the bitter truth of reality. Fathers rarely strive to understand their children. They just want to realize their concept of an “ideal life” in them.

      That is why the eternal problem of relationships between generations is. You will find the arguments of Russian writers in favor of the impossibility of solving it in our article. Next we will look at different areas of this issue.

      But after reading most of the works and studies, the impression remains that along with age, the ideals of house-building awaken at the genetic level in people.

      "Eldest Son" - play and film

      We are currently discussing the problem of relationships between generations (the Unified State Exam often includes it in the list of tasks). Let's look at Vampilov's comedy "The Eldest Son". It was written in the late sixties of the twentieth century.

      The significance of the work is that several generations are intertwined here. We see relationships between three: fathers, adults and younger children.

      The essence of the comedy lies in an innocent joke that develops into a significant stage in the life of an entire family. Two friends (Busygin and Silva) stay late in a strange city and are late for transport. They are looking for a place to stay for the night.

      In the city they meet Sarafanov's family. Silva tells their new acquaintance that Busygin is his son. The man takes the message at face value because he “had a sin of his youth.”

      The essence of the work is that Busygin has to become a link between his father and children, who do not value their parent at all.

      We see the already quite mature “youngest” Vasenka, who burns Natalya’s house out of jealousy. Nina, Busygin's sworn sister, wants to run away with her fiancé to the Far East, but her new brother is holding her back.

      Obeying an impulse of feelings, the deceiver confesses everything. Everything in the story ends well. But the main emphasis is still set. The situation is created in a comic form for easy perception and a comfortable introduction of the “family friend” into the comedy.

      It is through the prism of an outsider’s view of the family that the problem of intergenerational relationships is revealed. Vampilov’s work is fundamentally different from similar works of the nineteenth and eighteenth centuries. It is here that we see the picture that exists in our time.

      The traditions of home building have actually become obsolete, but the gentleness and thoughtless love of many parents plays a cruel joke on them when their children grow up.

      Griboedov and Fonvizin

      The problem of relationships between generations in “Woe from Wit” is revealed through the example of Famusov and Chatsky. Let's take a closer look at these symbolic images.

      The old generation is characterized by worship of rank, wealth and position in society. It is afraid, does not understand and hates new trends. Famusov was stuck in the petty-bourgeois worldview of the last century. His only desire is to find a son-in-law for his daughter with ranks and stars on his chest.

      Chatsky is the complete opposite of Pavel Afanasyevich. He not only verbally denounces the Domostroevsky foundations of the past, but with all his behavior he shows the depravity of the old and the power of the new worldview.

      Molchalin is Chatsky’s peer, but contrasts with him in thoughts, goals and behavior. He is pragmatic, two-faced and hypocritical. Above all for him is a warm and financial place. That is why the young man pleases Famusov in everything, is quiet and modest with Sophia.

      Chatsky has drama in his personal life. The girl he loves calls him crazy and pushes him away, preferring a “servant with rank.” But, despite this, the outcome of the comedy is shown openly to readers. It is the “carbonaris” and rebels who will replace the traditional servility and mossy behavior of the old nobles.

      “Nedorosl” also highlights the problem of intergenerational relationships. The essay is a stunning decoding of the saying: “The apple doesn’t fall far from the tree.” Here we see a separate aspect of the relationship between parents and children. Education, which is not intended to help the child find himself in life and realize himself, but to reflect the mother’s outdated picture of the world.

      So, in the comedy “The Minor” we see the result that Mrs. Prostakova received. She did her best to protect the child from the “hateful” world and a corrupt society. Teachers were hired for him only because Peter the Great “bequeathed it so.” And Mitrofanushka’s teachers were not distinguished by their learning.

      The comedy is written in the vein of classicism, so all the names in it speak. Teachers Tsifirkin, Kuteikin, Vralman. Son Mitrofan, which in Greek means “resembling a mother,” and Prostakova herself.

      We see the disappointing results of blindly following dead dogmas without the slightest attempt to comprehend them.

      Starodum, Pravdin and some other characters oppose the old traditions. They reflect the desire of the new society to see a soul in a person, and not an empty gilded shell.

      As a result of the conflict, we get a completely merciless, greedy and stupid “undergrowth.” “I don’t want to study, but I want to get married,” is the most accurate reflection of his essence.

      Coverage of the problem in the works of Pushkin

      One of the eternal moral issues is the problem of relationships between generations. Arguments from the life of modern society rarely fully correspond to literary images. The closest situation is mentioned in "The Eldest Son", which we talked about earlier.

      The works of the classics of the nineteenth century are often useful to young people only in a global sense. The general ethical and moral themes raised in them will be relevant for centuries to come.

      Problems of relationships between generations are highlighted many times in Pushkin’s works. Examples include the following: “The Captain’s Daughter”, “The Station Agent”, “Boris Godunov”, “The Stingy Knight” and some others.

      Alexander Sergeevich, most likely, did not set himself the goal of reflecting precisely this conflict, like Tolstoy and Turgenev. The clash of generations has been a part of everyday life since the times of primitive people. It’s just that over time the gap between parents and children becomes wider. This is influenced by progress, changes in social values, globalization and many other factors.

      In particular, in “The Station Agent” the situation is similar to the one that Paustovsky later illuminated (we talked about this above). Here Samson's daughter Vyrina escapes from her father's house with a hussar. She finds herself in city society and becomes a rich and respectable lady.

      When her father finds her, he does not recognize her and does not want to accept his daughter’s new image. Samson returns to the station, where he becomes an alcoholic and dies. Here the conflict is formed due to the different meanings that the characters attach to the concept of “happiness”.

      In "The Captain's Daughter" we see a completely different picture. Here Pyotr Grinev firmly remembered the traditional teachings of his father. Following these rules helped him save face and honor in difficult situations.

      The old baron in The Miserly Knight loses his own son because he is committed to the old bourgeois principles. He does not want to change his ossified worldview, feudal views. In this essay we see too great a gap between father and son. As a result, the final severance of ties occurs.

      Ostrovsky, "The Thunderstorm"

      As you have already seen, if the essay should touch on the problem of relationships between generations, arguments (literary, life and others) can easily help to do this.

      To conclude our article, we will give one more example, which perfectly corresponds to the task at hand. Now we will talk about Ostrovsky’s drama “The Thunderstorm”.

      This stunning work very clearly shows the clash between the old Domostroevsky and younger generations. Of all the characters, only the main character, Katerina, decides to resist the ossified tyranny of her elders.

      There is a saying that Russia is a country of facades. It is in this play that this phrase is deciphered in frightening nakedness. Behind the apparent prosperity and piety of an ordinary Volga town, we discover the true evil hidden in the souls of people.

      The problem is not only the cruelty, stupidity and hypocrisy of the older generation. Kabanikha and Wild tyrannize young people only when society does not see them. With such actions they are just trying to “guide” their unlucky children on the true path. However, the difficulty is that all the knowledge and traditions inherent in house-building have long ago turned from norms of behavior into an unnecessary burden.

      The downside of this issue is the lack of will, weakness and bestial obedience of the younger ones, as well as the indifference of the rest of the townspeople to what is happening before their eyes.

      The problems of relationships between generations in the drama are shown in parallel with the approaching storm. Just as nature strives to free itself from what it has accumulated, sending life-giving rain onto the petrified soil, so Katerina’s suicide makes the indifferent souls of people tremble.

      Thus, we have examined the relationship between generations using examples from life, the origins and manifestations of this problem. In addition, we became acquainted with the works of many Russian writers who accurately, sharply and frighteningly truthfully illuminated this issue.

      Good luck to you, dear readers! Try to find the strength to be better so as not to become boars, simpletons and other house-builders.

      • Misunderstanding between generations arises due to differences in worldviews
      • Parents' advice means a lot to children
      • A person’s attitude towards his parents can be used to judge his moral qualities.
      • Not taking care of your parents means betraying them
      • Parents are not always good to their children.
      • Many are ready to sacrifice the most precious things in order for their children to be happy
      • Correct relationships between children and parents are built on love, care, support
      • Sometimes the truly close person becomes not the one who gave birth, but the one who raised

      Arguments

      I.S. Turgenev "Fathers and Sons". In this work we see the real one. The generation of “fathers” includes Pavel Petrovich and Nikolai Petrovich Kirsanov. The generation of “children” is Evgeny Bazarov and Arkady Kirsanov. Young people share the same views: they say they are nihilists - people who reject generally accepted values. The older generation doesn't understand them. The conflict leads to fierce disputes and a duel between Evgeniy Bazarov and Pavel Petrovich Kirsanov. Gradually, Arkady Kirsanov realizes that his values ​​do not coincide with Bazarov’s teachings, and returns to his family.

      N.V. Gogol "Taras Bulba". Father not only wants to give Ostap and Andriy a decent education, but also to make them real warriors defending their Motherland. Taras Bulba cannot forgive Andria for his betrayal (he goes over to the side of the enemy because of his love for a Polish woman). Despite seemingly fatherly love, he kills his son. Taras Bulba is proud of Ostap, the eldest son, who fights the enemy selflessly, with all his might.

      A.S. Griboyedov "Woe from Wit". The source of happiness for Famusov is money. He loves his daughter Sophia, wishes her all the best, so he teaches the girl only to think about financial well-being. Such views are alien to Sofya Famusova; she diligently hides her feelings from her father, because she knows that they will not support her. Things are completely different with Molchalin, whom his father taught to always and everywhere seek profit: he follows this principle in everything. Parents, wanting to ensure the happiness of their children, passed on their views on life to them. The only problem is that these very views are incorrect.

      A.S. Pushkin "The Captain's Daughter". Father, sending Pyotr Grinev to serve, said a very important and correct thing: “Take care of your shirt again, and take care of your honor from a young age.” The father's words became the most important moral guideline for the young man. In the most difficult conditions, threatening death, Pyotr Grinev retained his honor. It was truly important for him not to betray his father and homeland. This example is a clear confirmation that parental instructions help a child learn the most important moral values.

      A.S. Pushkin "Station Warden". Dunya committed an immoral act: she ran away from her parents’ house with Minsky, who was staying at their station. Her father, Samson Vyrin, could not live without his daughter: he decided to go on foot to St. Petersburg to find Dunya. One day he was lucky enough to see a girl, but Minsky drove the old man away. After a while, the narrator learned that the caretaker had died, and Dunya, who betrayed him, came to the grave with three barchats and lay there for a long time.

      K.G. Paustovsky "Telegram". Katerina Petrovna loved her daughter Nastya very much, who lived a very bright, eventful life in Leningrad. Only the girl completely forgot about her old mother, she didn’t even try to find time to visit her. Even Katerina Petrova’s letter that she has become completely unwell is not taken seriously by Nastya and does not consider the possibility of immediately going to her. Only the news that her mother is dying evokes feelings in the girl: Nastya understands that no one loved her as much as Katerina Petrovna. The girl goes to her mother, but no longer finds her alive, so she feels guilty before the person most dear to her.

      F.M. Dostoevsky "Crime and Punishment". Rodion Raskolnikov sincerely loves his mother and sister. Speaking about the motives for the murder of the old pawnbroker, he says that he actually wanted to help his mother. The hero tried to get out of eternal poverty and troubles. As he pawns the watch, he remembers with trepidation his father, who owned the thing.

      L.N. Tolstoy "War and Peace". In the work we see several families whose lives are based on completely different moral principles. Prince Vasily Kuragin is an immoral man, ready to do any meanness for the sake of money. His children are guided by exactly the same principles: Helene marries Pierre Bezukhov in order to receive part of a huge inheritance, Anatole tries to run away with Natasha Rostova. A completely different atmosphere reigns among the Rostovs: they enjoy nature, hunting, and holidays. Both parents and children are kind, sympathetic people, incapable of meanness. Prince Nikolai Bolkonsky raises his children in strictness, but this severity is for their benefit. Andrei and Marya Bolkonsky are moral people, true patriots, like their father. We see that there is a close relationship between parents and children. The worldview of children depends on the worldview of parents.

      A.N. Ostrovsky "Thunderstorm". In Kabanikha's family, relationships are built on fear, cruelty, and hypocrisy. Her daughter Varvara has learned to lie perfectly, which she wants to teach Katerina too. Son Tikhon is forced to obey his mother unquestioningly in everything. All this leads to terrible consequences: Katerina decides to commit suicide, Varvara runs away from home, and Tikhon decides to “revolt” against Kabanikha.

      A. Aleksin “Division of property.” Verochka was raised by her grandmother Anisya: she literally put the child, who had suffered a severe birth injury, back on his feet. The girl calls her grandmother her mother, which displeases her real mother. The conflict gradually escalates and ends in court, where the property is divided. What strikes Verochka most is that her parents turned out to be such callous, ungrateful people. The girl is having a hard time with the situation; she writes a note to her parents, defining herself as property that should go to her grandmother.

      Sofya Famusova, who grew up in an atmosphere of lies and deception, carefully hides her feelings from her father, realizing that he will not allow the development of relations with Molchalin. He does everything in defiance of his father. Molchalin, on the contrary, is faithful to his moral (or immoral) credo, builds his life as his father bequeathed: to please all people without exception. Griboyedov gives the reader the opportunity to reflect on the future of both heroes.

      2. A.S. Pushkin "The Captain's Daughter"

      The upbringing of Petrusha Grinev remains beyond the pages of the text, but the main thing that the young nobleman learned from communication with his father (a strict and demanding man) is the need to be true to his word, take care of honor, and observe the laws of morality. He does this in all life situations. Even when his father forbids him to marry his beloved Masha Mironova, he accepts his will as a mandatory requirement.

      3. N.V. Gogol "Dead Souls"

      From Chichikov’s childhood memories, the image of a gloomy, unkind, cruel father and his instructions about the need to take care and save a penny, the only idol in Pavel Ivanovich’s life, emerges. Chichikov builds his life according to his father’s behests and succeeds in many ways.

      4. A.N. Ostrovsky "Thunderstorm"

      The relationship between mother and children in the Kabanov family is based on fear and hypocrisy. Varvara is accustomed to lying and is trying to teach Katerina this. But the brother’s wife had different relationships in the family; she does not accept her mother-in-law’s hypocrisy and fights her with her own means. The ending of such an upbringing is predictable: Varvara runs away from home, Katerina dies voluntarily, Tikhon rebels against his mother.

      5. I.S. Turgenev "Fathers and Sons"

      The “children” in the novel - Bazarov and Arkady Kirsanov - at the beginning of the story act as a united front against the “fathers” in the person of Uncle Arkady - Pavel Petrovich. Nikolai Petrovich does not resist the bold and daring statements of his son and his friend. And he acts wisely and far-sightedly. Gradually, many discrepancies in his friend’s behavior are revealed to Arkady, and he returns to the bosom of the family. And Bazarov, who so easily criticizes the “romanticism” of the Kirsanovs, is absolutely sensitive to such behavior of his father, because he loves his parents and takes care of them.

      6. L.N. Tolstoy "War and Peace"

      The novel presents several families, in each of which relationships are built on certain principles. In the Kuragin family, this is the principle of profit and gain. Both the father and his children agree to any relationship, as long as it is profitable, that’s how marriages are made. The Drubetsky family is guided by the same principle: humiliation and servility are their tools in achieving their goals. The Rostovs live as they breathe: they enjoy friends, holidays, hunting - everything that decorates our lives. Father and mother try to be honest in everything with their children and each other. Benefits are not important to them. Practically ruining her family and herself, Natasha demands that carts be given to the wounded; this is the only thing a true patriot and merciful person can do. And the mother agrees with her daughter. The relationship between father and daughter Bolkonsky is similar. And although it seems that the father is too strict and intolerant towards his daughter, in fact, he understands too well the difficulties of his daughter’s upcoming life. Therefore, Princess Marya herself refuses Anatoly Kuragin, realizing how right her father is.

      7. F.M. Dostoevsky "Crime and Punishment"

      Rodion Raskolnikov, explaining the reason for the murder of the old pawnbroker, says that he wanted to help his mother. In fact, he is very kind to his mother, trying to break out of the vicious circle of poverty. With trepidation and excitement, he remembers his father, from whom he was left with a watch (pawned to an old woman pawnbroker). The mother does not fully believe in the crime of her beloved Rodya.

      8. A.P. Chekhov "The Cherry Orchard"

      In the play, daughter Anya, a seventeen-year-old girl, goes after her prodigal mother, lost somewhere in Paris, in order to return her to the bosom of the family to solve problems with the estate. Ranevskaya behaves naively and stupidly. Only Varya, the adopted daughter of the same Ranevskaya, is endowed with common sense. When Lyubov Andreevna gives a gold piece to a passing beggar, Varya cannot stand it and says that there is nothing in the house, and the lady is throwing away such money. Having lost everything, Ranevskaya leaves for Paris and takes away her aunt’s money, leaving her daughters to their fate. The girl Anya is going to the capital, and it is not clear how her life will turn out, where she will get money for living. Varya goes to work as a housekeeper. Fathers and sons change places here.

      9. M.A. Sholokhov "Quiet Don"

      In the Melekhov family, everything rests on the power of the father. And when Panteley Prokofievich finds out about Grigory’s relationship with Aksinya, he decides to marry his son to Natalya. Gregory submits to his father's will. But, realizing that he does not love his wife, he gives up everything and goes with Aksinya to work as workers. He agrees to shame in the name of love. But time destroys everything in the world, and the Melekhovs’ house, the foundations of Cossack life, collapses. And soon no one obeys the laws of life, everyone lives as they want. Daria advances on her father-in-law with an obscene proposal, and Dunyashka puts her mother in a hopeless position and literally forces her to give her blessing for marriage to Mishka Koshev.

      10. B. Vasiliev “Tomorrow there was war”

      The story focuses on two families, Iskra Polyakova and Vika Lyuberetskaya. Iskra's mother is a female commissar, strong-willed, domineering, and strict. But when the mother once again decides to flog her daughter with her soldier’s belt, she responds in the spirit of her mother - just as strictly and irrevocably. And the mother understands that the girl has matured. Vika and her father have a completely different relationship - warm and trusting. When the girl is faced with a choice: abandon her father or be expelled from the Komsomol, Vika decides to take her own life. She cannot abandon her beloved father, no matter what suspicions fall on him.